Why The Snyder Cut of Justice League Isn’t Widescreen

Superhero fans were recently treated to a throwback aspect ratio when WandaVision opened its run with the yesteryear sitcom screen of 4:3 – the glorious black and white square that viewers saw on their sets for decades. But that was semi-expected, given WandaVision’s TV time-hopping gimmick.What people may not have been prepared for was the trailer for Zack Snyder’s Justice League (a.k.a. The Snyder Cut) being presented in a very similar ratio. And to learn that – yes – all of the new Justice League, which will premiere March 18 on HBO Max, will be presented fully inside that square.

So why exactly is The Snyder Cut going full frame? And what has Snyder himself said about the move? Read on for the full story.

Why Is The Snyder Cut in 1.33:1?

Sources have confirmed to IGN that Zack Snyder’s four-hour reassembling of Justice League is using the boxy 1.33:1 ratio. So the question is why? Well, the director’s love for the format stemmed from the IMAX scenes he shot for Batman v Superman: Dawn of Justice, which were rendered in full frame, in the 1.43:1 aspect ratio. Ever since that movie, Snyder’s been enamored with the square composition and the idea of using it for future projects.At Justice Con, back in July 2020, Snyder explained how he originally intended to shoot all of Justice League with this aspect ratio in mind, so that the movie could fill up a giant 1.43:1 IMAX screen for the entire runtime, instead of just select action sequences, which is typically how IMAX is used for big-budget studio movies like this. Snyder didn’t shoot the film using IMAX cameras, since they don’t use sound, but he did shoot with a ratio ideal for 1.43:1 theaters. And when Justice League lands on HBO Max, fans can see it all in the ratio Snyder intended.

What that means is that whereas many viewers are used to seeing black bars on the top and bottom of a widescreen image, in this case the bars will be on the left and right of the square image instead.

“My intent was to have the movie, the entire film, play in a gigantic 1:43 aspect ratio on a giant IMAX screen,” Snyder said at Justice Con. “Superheroes tend to be, as figures, they tend to be less horizontal. Maybe Superman when he’s flying. But when he’s standing, he’s more of a vertical. Everything is composed and shot that way, and a lot of the restoration is sort of trying to put that back. Put these big squares back. … It’s a completely different aesthetic. It’s just got a different quality and one that is unusual. No one’s doing that.”

This mock-up provides a sense of the difference in aspect ratios between the two versions of Justice League.


Back to Square One for Justice League

The first Justice League, complete with a multitude of added scenes and reshoots, was released in 2017 with a 1.85:1 aspect ratio, which has been one of the most common US widescreen cinema standards since the ’50s. Releasing a 35mm film in this way means that the frames of the movie basically have to have their top and bottom cropped off. A big part of Snyder’s remaking/remodeling of Justice League involved restoring the original film squares that were composed in a 1.33:1 aspect ratio.

So the “TL;DR” answer to why Justice League is “square” now is that it’s because it was part of Zack Snyder’s original vision. And why go through all this trouble of reworking and reassembling the film into a Snyder Cut if it’s not exactly what Snyder wanted to do with the film in the first place?

Justice League Snyder Cut: All the Known Differences From the Theatrical Version

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